British/Iranian Soprano Honey Rouhani, recently made her West End opera debut to critical acclaim as Musetta in a radical new production of Puccini's La Boheme at the Trafalgar Studios (Olivier Award Nominee). Critics described her as a "an utter revelation", "a supremely entitled and manipulative Musetta" and "The most memorable part of the opera".
In 2016, Honey made her Barbican debut as soloist in the UNICEF-commissioned premiere of 'Love & Peace Quotes' with the Docklands Sinfonia (composer, Mehran Rouhani).
The British/Iranian graduated from the Trinity Laban Conservatoire of Music and Dance with a Postgraduate Diploma in Vocal/Opera studies, where she was a Leverhulm scholar. She continues to study with Alison Wells.
Honey is no stranger to the stage and the world of performing arts, she started Ballet at the age of 4 and continued for fifteen years. She started her musical journey at the age of six with leraning the piano with her father, Mehran Rouhani, Composer. She has studied with professors, Jennifer Dakin ARAM, Ameral Gunson GSMD, Ian Kennedy GSMD and Sophie Grimmer RCM. She has also performed in masterclasses with Linda Hirst, Joan Rogers, Neil Jenkins, John Hancorn and Ron Morris. In 2013, Honey was the English Song competition finalst at the Trinity Laban.
Recent roles and performances include: Soprano Soloist in Verdi's Requiem (Docklands Sinfonia) Carlotta in Phantom of the Opera (LMTO), Musetta in Puccini's La Boheme (King's Head Theatre) , Phyllis in Gilbert and Sullian's 'Iolanthe' (East Surrey Choral Society) Mahler's Symphony no 4 (Angel Orchestra), Opera gala (Dubai), Opera Gala (Burgh Houe), Josephine in HMS Pinafore by Gilbert and Sullivan (ELOC), Musetta in Puccini's La Boheme (Dulwich Opera), Magda in Puccini's ' La Rondine' (Trinity Laban), Sandman and Dew Fairy in Humberdinck's 'Hansel and Gretel' (Opera in Space), Susanna in Mozart's 'Le noze di Figaro' (Trinity Laban). Chausson's 'Poem de l'amour et de la mer' with the Angel orchestra conducted by Peter Fender, Venus in Offenbach's 'Orpheus in the Underworld' (Trinity Laban - Blackheath Halls), soloist in Haydn's 'The Creation' conducted by Nicholas Craemer (St John's Smith Square), Tina in Jonathan Dove's 'The Flight' (Trinity Laban), Opera Diva in John Cage's centinary festival curated by Stephen Montague (Trinity Laban), Honey has also had the pleasure singing with the Pazardjik Symphony Orchestra conducted by Peter Fender.
In 2010 Honey made her Opera debut with the role of Mabel in Gilbert and Sullivan's 'The Pirate's of Penzance' and later Cupid in Offenbach's 'Orpheus in the Underworld' with the Epsom Light Opera Company.
Premiers include: Mehran Rouhani's 'Love and Peace Quotes' (Barbican Centre), Babak Kazemi's 'Ode to Peace' (Cadogan Hall) Recent performances include a European tour of Iranian Composer, Shohreh Shakoori's new vocal works, ' Norooz Suit' by Babak Kazemi (V&A). UK Premier of Reza Vali's 'Persian Folk Songs' (Epic Persia - Cadogan Hall) with the Docklands Sinfonia conducted by Spencer Down. Nightingale in Sarah Percival's new Play 'The Gate' (Leighton House), premier of ' Only Sound Remains' by Soosan Lolavar (V&A)
Honey has recently joined Ellington, a trio of opera singers, performing Opera and Jazz repertoire. Honey is also excited to be touring the UK with the Dulwich Opera Company, singing the role of Despina in Mozart's 'Cosi Fan Tutte' in summer and Autumn 2018.
Apart from life as a singer, Honey enjoys a busy schedule of teaching singing privately and directing school choirs around London.